Gabriela Mistral University Repository

The Gabriela Mistral University Library has developed the following Academic Repository in order to preserve, disseminate and make available the full-text contents of the academic production developed by the different actors in the academic and research field of the University.
The UGM University at the beginning of the year 2017 incorporated the UCINF University, also adding that collection where we find memories, theses, degree works, academic magazines, speeches, books, digital and sound files. Contact: [email protected]

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dc.contributor.authorGouet Viveros, Camilo
dc.date.accessioned2022-06-03T13:21:59Z
dc.date.available2022-06-03T13:21:59Z
dc.date.issued2020
dc.identifier.citationRevista Akadèmeia, vol. 19, Núm. 2 (2020): Noviembre - Diciembre. pp. 1-29es_ES
dc.identifier.issn0718-9397
dc.identifier.urihttp://repositorio.ugm.cl/handle/20.500.12743/2148
dc.description.abstractAnte la creciente separación entre los artistas y el público, en este artículo propongo volver la mirada hacia lo que da fundamento a toda manifestación artística: un encuentro entre dos personas. En este encuentro, el artista revela su intimidad personal a través de su obra a un espectador que acoge con confianza esta revelación como verdadera. Así, a partir de esta categoría de encuentro, me dirijo en un lenguaje sencillo a aquellos artistas que carecen de conocimientos filosóficos suficientes, abordando algunas problemáticas propias de toda manifestación artística, como son la relación entre el artista y su obra, la inseparabilidad de materia y forma en toda obra de arte, la transfiguración de la realidad por parte del artista en el proceso creativo, además de proponer algunas analogías sobre las raíces de la creación artística.es_ES
dc.description.abstractFaced with the growing separation between artists and the audience, in this article I propose to look back at what gives foundation to all artistic manifestations: an encounter between two persons. In this encounter, the artist reveals his personal intimacy through his work to a public who confidently accepts this revelation as true. Thus, from this category of encounter, I write in a simple language to those artists who lack sufficient philosophical knowledge, addressing some problems typical of any artistic manifestation, such as the relationship between the artist and his work, the inseparability of matter and form in any work of art, the transfiguration of reality by the artist in the creative process, in addition to proposing some analogies about the roots of artistic creation. Keywords: Artistic encounter, artist, audience, work of art.
dc.language.isoeses_ES
dc.publisherRevista Akadèmeiaes_ES
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectEncuentro artísticoes_ES
dc.subjectArtistaes_ES
dc.subjectPúblicoes_ES
dc.subjectObra de artees_ES
dc.titleEl encuentro artístico, una guía para los artistases_ES
dc.title.alternativeThe artistic encounter, a guide for the artistses_ES
dc.typeArticlees_ES


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Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States